
Commissioning a Violin
A very personal and collaborative process between the maker and the artist.
It all starts with finding out what you are looking for. No two violins made are ever the same as no two artists play in the same way. Pairing an artist with a new instrument is a very special and collaborative process.
It Starts With the Wood
It all starts by choosing the perfect selection of wood to build your instrument. From the very beginning I have been inspired to work locally, using the wood from our British Columbian forests. Our beautiful sacred resource needs to be protected and managed in a far better way. By sourcing wood from small scale specialized providers who specifically select trees. I am avoiding dealing with unsustainable practices. The quality of our tone woods is second to none and superior to most. Every piece of wood in the workshop has been hand selected by myself during my travels around BC and aged. All of the wood used in building my violins is aged for a minimum of 10 years and is usually around 15 years old by the time it begins to be used in the construction of a violin. Teaching the wood to singing is a magickal process for me.
